The Edge - Index

Film

Reviews of the best new books appear in each issue of The Edge

REVIEWS INDEX

NON-FICTION

 

Wim Wenders The Act of Seeing

Wenders' 3rd book. 'Essays and Conversations'; mostly interviews conducted around 1990

Alex Cox: Film Anarchist

By Steven Paul Davies. There is a case to be made for Alex Cox as the most neglected of contemporary British film-makers

Burton on Burton

Mark Salisbury interviews Tim Burton

Casino

Nicholas Pileggi's book about Las Vegas and the mob, basis of Scorsese's film

Jonathan Romney Celluloid Jukebox

Popular Music and the Movies Since the Fifties; what Martin Scorsese calls "uncharted terriotory"

Censored

The Story of Film Censorship in Britain. Tom Dewe Mathews' part reminder of moral excesses, part valuable assessment of contemporary film censorship

David Lynch

Michael Chion's BFI book on Lynch. Dissects the films and TV and adds the Lynch Kit, a sort of subjective dictionary of Lynchian imagery and idea (from Alphabet to Word)

Derek Jarman: A Portrait

Edited by Roger Wollen; largely successful attempt to contextualise a genuine Renaissance man's life. 151 illustrations archiving his painting; nine essays on various strands of his work

Easy Riders, Raging Bulls

Peter Biskind's vast dissection of 70s American cinema - that delirious, dangerous era

Edge of the Earth

Vincent Ward's production diary of his first three films, In Spring One Plants Alone, Vigil and The Navigator

Eyes Wide Open

Frederic Raphael on Eyes Wide Shut and Stanley Kubrick

Getting Away With It

Steven Soderbergh's hybrid; his own diary, and his thoughts on Richard Lester

Gilliam on Gilliam

Terry Gilliam on himself, edited by Ian Christie

Inside Stories

Diaries of British Film-makers at Work, edited by Duncan Petrie

Allan Brown Inside The Wicker Man

Exhaustive dedication to detail, with all concerned interviewed

Inner Views

Film-makers in Conversation, edited by David Breskin

Joel and Ethan Coen

One of those big Titan books; essentially, riffs on each of the eight features (including Raimi's Crimewave), all the facts, and over 500 illustrations. Edited by Peter Körte and Georg Sessien

Kieslowski on Kieslowski

Danusia Stok edits out the interview questions, leaving a feature-length monologue filled with detail, intelligence and insight into an extraordinary body of work

Jane Hamsher Killer Instinct

A controversial script by Hollywood's brightest new name kid, attached to one of La-La Land's biggest behind-the-camera talents (Oliver Stone). Just point and shoot, right? But as industry wannabes Jane Hamsher and Don Murphy discovered, nothing in this world is ever quite what it seems

Sayles on Sayles

John Sayles in his own words, edited by Gavin Smith

Screen Violence

Edited by Karl French, 22 essays on the subject

Shock Xpress Two

Shock

The second and third (last) Shock Xpress books, edited by Stefan Jaworzyn. Contributors for one, the other or both include Kim Newman, Ramsey Campbell, Anne Billson, etc

Shooting to Kill

The making of Velvet Goldmine, or An Insider's Guide to Independent Filmmaking, by Christine Vachon

Short Orders

The film writing of Jonathan Romney

Spike, Mike, Slackers and Dykes

A guided tour of US indie cinema post 1984

Walt Disney: Hollywood's Dark Prince

Or Walt Disney: What a Bastard. Marc Eliot's biography of the man who had little to do with those films

With Nails 

The Film Diaries of Richard E Grant

 

BFI Publishing's Film Classics and Modern Classics:

L'Avventura

Geoffrey Nowell-Smith on Antonioni's ground-breaking masterpiece

Cat People

Kim Newman on Tourneur's horror film about a woman who turns into a panther

The Exorcist

Mark Kermode speaks for the defence

M

Anton Kaes' deconstruction of Fritz Lang; a stand-out

Taxi Driver

Amy Taubin's misreading of Scorsese's classic

The Three Colours Trilogy

Geoff Andrew's appreciation of Kieslowski's trilogy that should be felt as much as understood

 

REVIEWS INDEX

The Edge - Index