Film
Reviews of the best new books appear in each issue of The Edge
Wim Wenders
The Act of SeeingWenders' 3rd book. 'Essays and Conversations'; mostly interviews conducted around 1990
Alex Cox: Film Anarchist
By Steven Paul Davies. There is a case to be made for Alex Cox as the most neglected of contemporary British film-makers
Mark Salisbury interviews Tim Burton
Nicholas Pileggi's book about Las Vegas and the mob, basis of Scorsese's film
Jonathan Romney Celluloid Jukebox
Popular Music and the Movies Since the Fifties; what Martin Scorsese calls "uncharted terriotory"
The Story of Film Censorship in Britain. Tom Dewe Mathews' part reminder of moral excesses, part valuable assessment of contemporary film censorship
Michael Chion's BFI book on Lynch. Dissects the films and TV and adds the Lynch Kit, a sort of subjective dictionary of Lynchian imagery and idea (from Alphabet to Word)
Edited by Roger Wollen; largely successful attempt to contextualise a genuine Renaissance man's life. 151 illustrations archiving his painting; nine essays on various strands of his work
Peter Biskind's vast dissection of 70s American cinema - that delirious, dangerous era
Vincent Ward's production diary of his first three films, In Spring One Plants Alone, Vigil and The Navigator
Frederic Raphael on Eyes Wide Shut and Stanley Kubrick
Steven Soderbergh's hybrid; his own diary, and his thoughts on Richard Lester
Terry Gilliam on himself, edited by Ian Christie
Diaries of British Film-makers at Work, edited by Duncan Petrie
Allan Brown
Inside The Wicker ManExhaustive dedication to detail, with all concerned interviewed
Film-makers in Conversation, edited by David Breskin
One of those big Titan books; essentially, riffs on each of the eight features (including Raimi's Crimewave), all the facts, and over 500 illustrations. Edited by Peter Körte and Georg Sessien
Danusia Stok edits out the interview questions, leaving a feature-length monologue filled with detail, intelligence and insight into an extraordinary body of work
Jane Hamsher
Killer InstinctA controversial script by Hollywood's brightest new name kid, attached to one of La-La Land's biggest behind-the-camera talents (Oliver Stone). Just point and shoot, right? But as industry wannabes Jane Hamsher and Don Murphy discovered, nothing in this world is ever quite what it seems
John Sayles in his own words, edited by Gavin Smith
Edited by Karl French, 22 essays on the subject
The second and third (last) Shock Xpress books, edited by Stefan Jaworzyn. Contributors for one, the other or both include Kim Newman, Ramsey Campbell, Anne Billson, etc
The making of Velvet Goldmine, or An Insider's Guide to Independent Filmmaking, by Christine Vachon
The film writing of Jonathan Romney
Spike, Mike, Slackers and Dykes
A guided tour of US indie cinema post 1984
Walt Disney: Hollywood's Dark Prince
Or Walt Disney: What a Bastard. Marc Eliot's biography of the man who had little to do with those films
The Film Diaries of Richard E Grant
BFI Publishing's Film Classics and Modern Classics:
Geoffrey Nowell-Smith on Antonioni's ground-breaking masterpiece
Kim Newman on Tourneur's horror film about a woman who turns into a panther
Mark Kermode speaks for the defence
Anton Kaes' deconstruction of Fritz Lang; a stand-out
Amy Taubin's misreading of Scorsese's classic
Geoff Andrew's appreciation of Kieslowski's trilogy that should be felt as much as understood