HOME | ABOUT | FICTION | INTERVIEWS | FEATURES | REVIEWS | NEWS | BUY THE PRINT MAGAZINE | BACK ISSUES | LINKS | CONTACT US
Pastoralia
George Saunders
Bloomsbury, paperback, 208 pages, £9.99
Review by David Seabrook (2000)
‛Once we found the loved one nearby with, you know, a cigarette
between its lips, wearing a sombrero? These kids today got a lot more
nerve than we ever did. I never would’ve dreamed of digging up a dead
corpse when I was a teen.’
Here it is, revisited for our entertainment in George Saunders’ second
collection of satirical short stories, the new-look land of the free:
themed up, dumbed down and laid out ready for embalming. Saunders has
been compared to Pynchon and Vonnegut, yet the disgust that fuels his
world recalls Nathaniel West. He shares too West’s taste for grotesquery
yet these stories are raised above the level of mordant masterpieces by
an extra dimension: hope. His characters – living, breathing losers
every one – are ultimately left holding the aces. In the final story –
‛The Falls’ – Morse, ‛tall and thin and as gray and sepulchred as a
church about to be condemned’, is walking home from work, absorbed in
his own rapidly proliferating worries, when he notices that a canoe
containing two young girls is out of control and heading toward the
Falls. He quickly persuades himself that the girls are doomed, it’s one
more tragedy, nothing can be done, and the story builds steadily towards
a mournful shrug-off ending, only for Saunders, in the nick of time, to
snatch that ending away:
‛They were dead. They were frantic, calling out to him, but they were
dead, as dead as the ancient
dead, and he was alive, he was needed at
home, it was a no-brainer, no one could possibly blame him for this one,
and making a low sound of despair in his throat he kicked off his
loafers and threw his long ugly body out across the water.’
Like
other characters who struggle through these stories – the toeless
barber, fastidious about women, the pieceworker sick of living with his
backward sister – Morse finds out something important and finds it out
the slow way; he finds out other people are all we’ve got.
The title novella concerns the plight of two workers in the Neanderthal
Man section of a ‛History of Man’ theme park. Behind the scenes they
struggle for survival while out front they go through the prehistoric
motions as they wait for visitors to check out their cave. ‛After lunch
she goes to the doorway and starts barking out sounds meant to indicate
that a very impressive herd of feeding things is thundering past, etc,
etc, which of course it is not, the feeding things, being robotic, are
right where they always are, across the river. When she barks I garb my
spear and come racing up and join her in barking at the imaginary
feeding things.’
George Saunders is funny. He’s also worrying. But then again the man’s
writing about America, so what do you expect? Over here we’ve a long way
to go before we reach the end of the road. And yet as we – all of us
now, from airline stewards to transsexual prostitutes – act our daily
psychodramas for docusoaps real and imaginary, or queue up to inhabit a
house filled with closed circuit cameras in a backstabbing bid for
instant stardom, or get ready to play all sorts of other exciting new
games that are destined – sure as sixpence – to bring us down lower than
snakes in the dust . . . Well, it might be an idea to read this book
anyway, and start praying.